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  • The Complete Works of William Shakespeare
    • Contents
  • THE SONNETS
    • THE END
  • ALL’S WELL THAT ENDS WELL
    • Contents
    • Dramatis Personæ
      • SCENE: Partly in France, and partly in Tuscany.
    • ACT I
      • SCENE I. Rossillon. A room in the Countess’s palace.
      • SCENE II. Paris. A room in the King’s palace.
      • SCENE III. Rossillon. A Room in the Palace.
    • ACT II.
      • SCENE I. Paris. A room in the King’s palace.
      • SCENE II. Rossillon. A room in the Countess’s palace.
      • SCENE III. Paris. The King’s palace.
      • SCENE IV. Paris. The King’s palace.
      • SCENE V. Another room in the same.
    • ACT III.
      • SCENE I. Florence. A room in the Duke’s palace.
      • SCENE II. Rossillon. A room in the Countess’s palace.
      • SCENE III. Florence. Before the Duke’s palace.
      • SCENE IV. Rossillon. A room in the Countess’s palace.
      • SCENE V. Without the walls of Florence.
      • SCENE VI. Camp before Florence.
      • SCENE VII. Florence. A room in the Widow’s house.
    • ACT IV.
      • SCENE I. Without the Florentine camp.
      • SCENE II. Florence. A room in the Widow’s house.
      • SCENE III. The Florentine camp.
      • SCENE IV. Florence. A room in the Widow’s house.
      • SCENE V. Rossillon. A room in the Countess’s palace.
    • ACT V.
      • SCENE I. Marseilles. A street.
      • SCENE II. Rossillon. The inner court of the Countess’s palace.
      • SCENE III. The same. A room in the Countess’s palace.
  • THE TRAGEDY OF ANTONY AND CLEOPATRA
    • DRAMATIS PERSONAE
    • SCENE: The Roman Empire
    • SCENE II. Alexandria. CLEOPATRA'S palace
    • SCENE III. Alexandria. CLEOPATRA'S palace
    • SCENE IV. Rome. CAESAR'S house
    • SCENE V. Alexandria. CLEOPATRA'S palace
    • ACT II. SCENE I. Messina. POMPEY'S house
    • SCENE II. Rome. The house of LEPIDUS
    • SCENE III. Rome. CAESAR'S house
    • SCENE IV. Rome. A street
    • SCENE V. Alexandria. CLEOPATRA'S palace
    • SCENE VI. Near Misenum
      • THE END
  • AS YOU LIKE IT
    • DRAMATIS PERSONAE.
      • SCENE: OLIVER'S house; FREDERICK'S court; and the Forest of Arden
    • SCENE II. A lawn before the DUKE'S palace
    • SCENE III. The DUKE's palace
      • ACT II. SCENE I. The Forest of Arden
    • SCENE II. The DUKE'S palace
    • SCENE III. Before OLIVER'S house
    • SCENE IV. The Forest of Arden
      • SCENE V. Another part of the forest
    • SCENE VI. The forest
    • SCENE VII. The forest
    • ACT III. SCENE I. The palace
    • SCENE II. The forest
    • SCENE III. The forest
    • SCENE IV. The forest
    • SCENE V. Another part of the forest
      • ACT IV. SCENE I. The forest
    • SCENE II. The forest
    • SCENE III. The forest
      • ACT V. SCENE I. The forest
    • SCENE II. The forest
    • SCENE III. The forest
    • SCENE IV. The forest
  • THE COMEDY OF ERRORS
    • DRAMATIS PERSONAE
      • SCENE: Ephesus
    • ACT I. SCENE 1
      • SCENE 2
    • ACT II. SCENE 1
      • SCENE 2
      • ACT III. SCENE 1
        • SCENE 2
    • ACT IV. SCENE 1
      • SCENE 2
        • SCENE 3
        • SCENE 4
    • ACT V. SCENE 1
      • THE END
  • THE TRAGEDY OF CORIOLANUS
    • SCENE: Rome and the neighbourhood; Corioli and the neighbourhood; Antium
      • ACT I. SCENE I. Rome. A street
    • SCENE II. Corioli. The Senate House.
    • SCENE III. Rome. MARCIUS' house
    • SCENE IV. Before Corioli
    • SCENE V. Within Corioli. A street
    • SCENE VI. Near the camp of COMINIUS
    • SCENE VII. The gates of Corioli
    • SCENE VIII. A field of battle between the Roman and the Volscian camps
    • SCENE IX. The Roman camp
    • SCENE X. The camp of the Volsces
      • ACT II. SCENE I. Rome. A public place
    • SCENE II. Rome. The Capitol
    • SCENE III. Rome. The Forum
    • ACT III. SCENE I. Rome. A street
    • SCENE II. Rome. The house of CORIOLANUS
    • SCENE III. Rome. The Forum
      • ACT IV. SCENE I. Rome. Before a gate of the city
    • SCENE II. Rome. A street near the gate
    • SCENE III. A highway between Rome and Antium
    • SCENE IV. Antium. Before AUFIDIUS' house
    • SCENE V. Antium. AUFIDIUS' house
    • SCENE VI. Rome. A public place
    • SCENE VII. A camp at a short distance from Rome
      • ACT V. SCENE I. Rome. A public place
    • SCENE II. The Volscian camp before Rome
    • SCENE III. The tent of CORIOLANUS
    • SCENE IV. Rome. A public place
    • SCENE V. Rome. A street near the gate
    • SCENE VI. Corioli. A public place
      • THE END
  • CYMBELINE
    • SCENE: Britain; Italy
      • ACT I. SCENE I. Britain. The garden of CYMBELINE'S palace
    • SCENE II. Britain. A public place
    • SCENE III. Britain. CYMBELINE'S palace
    • SCENE IV. Rome. PHILARIO'S house
    • SCENE V. Britain. CYMBELINE'S palace
    • SCENE VI. Britain. The palace
      • ACT II. SCENE I. Britain. Before CYMBELINE'S palace
    • SCENE II. Britain. IMOGEN'S bedchamber in CYMBELINE'S palace; a trunk in one corner
    • SCENE III. CYMBELINE'S palace. An ante-chamber adjoining IMOGEN'S apartments
    • SCENE IV. Rome. PHILARIO'S house
    • SCENE V. Rome. Another room in PHILARIO'S house
      • ACT III. SCENE I. Britain. A hall in CYMBELINE'S palace
    • SCENE II. Britain. Another room in CYMBELINE'S palace
    • SCENE III. Wales. A mountainous country with a cave
    • SCENE IV. Wales, near Milford Haven
    • SCENE V. Britain. CYMBELINE'S palace
    • SCENE VI. Wales. Before the cave of BELARIUS
    • SCENE VII. Rome. A public place
    • ACT IV. SCENE I. Wales. Near the cave of BELARIUS
    • SCENE II. Wales. Before the cave of BELARIUS
    • SCENE III. Britain. CYMBELINE'S palace
    • SCENE IV. Wales. Before the cave of BELARIUS
      • ACT V. SCENE I. Britain. The Roman camp
    • SCENE II. Britain. A field of battle between the British and Roman camps
    • SCENE III. Another part of the field
    • SCENE IV. Britain. A prison
    • SCENE V. Britain. CYMBELINE'S tent
  • THE TRAGEDY OF HAMLET, PRINCE OF DENMARK
    • Contents
      • Dramatis Personæ
      • SCENE. Elsinore.
    • ACT I
      • SCENE I. Elsinore. A platform before the Castle.
      • SCENE II. Elsinore. A room of state in the Castle.
      • SCENE III. A room in Polonius’s house.
      • SCENE IV. The platform.
      • SCENE V. A more remote part of the Castle.
    • ACT II
      • SCENE I. A room in Polonius’s house.
      • SCENE II. A room in the Castle.
    • ACT III
      • SCENE I. A room in the Castle.
      • SCENE II. A hall in the Castle.
      • SCENE III. A room in the Castle.
      • SCENE IV. Another room in the Castle.
    • ACT IV
      • SCENE I. A room in the Castle.
      • SCENE II. Another room in the Castle.
      • SCENE III. Another room in the Castle.
      • SCENE IV. A plain in Denmark.
      • SCENE V. Elsinore. A room in the Castle.
      • SCENE VI. Another room in the Castle.
      • SCENE VII. Another room in the Castle.
    • ACT V
      • SCENE I. A churchyard.
      • SCENE II. A hall in the Castle.
  • THE FIRST PART OF KING HENRY THE FOURTH
    • Dramatis Personæ
      • SCENE. England and Wales.
      • ACT I
        • SCENE I. London. A Room in the Palace.
        • SCENE II. The same. An Apartment of Prince Henry’s.
        • SCENE III. The Same. A Room in the Palace.
      • ACT II
        • SCENE I. Rochester. An Inn-Yard.
        • SCENE II. The Road by Gads-hill.
        • SCENE III. Warkworth. A Room in the Castle.
        • SCENE IV. Eastcheap. A Room in the Boar’s-Head Tavern.
      • ACT III
        • SCENE I. Bangor. A Room in the Archdeacon’s House.
        • SCENE II. London. A Room in the Palace.
        • SCENE III. Eastcheap. A Room in the Boar’s-Head Tavern.
      • ACT IV
        • SCENE I. The Rebel Camp near Shrewsbury.
        • SCENE II. A public Road near Coventry.
        • SCENE III. The Rebel Camp near Shrewsbury.
        • SCENE IV. York. A Room in the Archbishop’s Palace.
      • ACT V
        • SCENE I. The King’s Camp near Shrewsbury.
        • SCENE II. The Rebel Camp.
        • SCENE III. Plain between the Camps.
        • SCENE IV. Another Part of the Field.
        • SCENE V. Another Part of the Field.
  • THE SECOND PART OF KING HENRY THE FOURTH
    • ACT I. SCENE I. Warkworth. Before NORTHUMBERLAND'S Castle
    • SCENE II. London. A street
    • SCENE III. York. The ARCHBISHOP'S palace
      • ACT II. SCENE I. London. A street
    • SCENE II. London. Another street
    • SCENE III. Warkworth. Before the castle
    • SCENE IV. London. The Boar's Head Tavern in Eastcheap
      • ACT III. SCENE I. Westminster. The palace
    • SCENE II. Gloucestershire. Before Justice, SHALLOW'S house
      • ACT IV. SCENE I. Yorkshire. Within the Forest of Gaultree
    • SCENE II. Another part of the forest
    • SCENE III. Another part of the forest
    • SCENE IV. Westminster. The Jerusalem Chamber
    • SCENE V. Westminster. Another chamber
      • ACT V. SCENE I. Gloucestershire. SHALLOW'S house
    • SCENE II. Westminster. The palace
    • SCENE III. Gloucestershire. SHALLOW'S orchard
    • SCENE IV. London. A street
    • SCENE V. Westminster. Near the Abbey
      • THE END
  • THE LIFE OF KING HENRY THE FIFTH
    • DRAMATIS PERSONAE
      • SCENE: England and France
      • ACT I. SCENE I. London. An ante-chamber in the KING'S palace
    • SCENE II. London. The Presence Chamber in the KING'S palace
      • ACT II. PROLOGUE.
    • SCENE I. London. Before the Boar's Head Tavern, Eastcheap
    • SCENE II. Southampton. A council-chamber
    • SCENE III. Eastcheap. Before the Boar's Head tavern
    • SCENE IV. France. The KING'S palace
      • ACT III. PROLOGUE.
      • SCENE I. France. Before Harfleur
    • SCENE II. Before Harfleur
    • SCENE III. Before the gates of Harfleur
    • SCENE IV. Rouen. The FRENCH KING'S palace
    • SCENE V. The FRENCH KING'S palace
    • SCENE VI. The English camp in Picardy
    • SCENE VII. The French camp near Agincourt
      • ACT IV. PROLOGUE.
    • SCENE I. France. The English camp at Agincourt
    • SCENE II. The French camp
    • SCENE III. The English camp
    • SCENE IV. The field of battle
    • SCENE V. Another part of the field of battle
    • SCENE VI. Another part of the field
    • SCENE VII. Another part of the field
    • SCENE VIII. Before KING HENRY'S PAVILION
      • ACT V. PROLOGUE.
    • SCENE I. France. The English camp
    • SCENE II. France. The FRENCH KING'S palace
  • THE FIRST PART OF HENRY THE SIXTH
    • SCENE: England and France
      • ACT I. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
    • SCENE 5.
      • SCENE 6.
      • ACT II. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
    • SCENE 5.
      • ACT III. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
      • ACT IV. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
      • SCENE 5.
    • SCENE 6.
    • SCENE 7.
      • ACT V. SCENE 1.
        • SCENE 2.
    • SCENE 3.
    • SCENE 4.
    • SCENE 5.
      • THE END
  • THE SECOND PART OF KING HENRY THE SIXTH
    • SCENE: England
      • ACT I. SCENE I. London. The palace
    • SCENE II. The DUKE OF GLOUCESTER'S house
    • SCENE III. London. The palace
    • SCENE IV. London. The DUKE OF GLOUCESTER'S garden
      • ACT II. SCENE I. Saint Albans
    • SCENE II. London. The DUKE OF YORK'S garden
    • SCENE III. London. A hall of justice
    • SCENE IV. London. A street
      • ACT III. SCENE I. The Abbey at Bury St. Edmunds
    • SCENE II. Bury St. Edmunds. A room of state
    • SCENE III. London. CARDINAL BEAUFORT'S bedchamber
      • ACT IV. SCENE I. The coast of Kent
    • SCENE II. Blackheath
    • SCENE III. Another part of Blackheath
    • SCENE IV. London. The palace
    • SCENE V. London. The Tower
    • SCENE VI. London. Cannon street
    • SCENE VII. London. Smithfield
    • SCENE VIII. Southwark
    • SCENE IX. Killing, worth Castle
    • SCENE X. Kent. Iden's garden
      • ACT V. SCENE I. Fields between Dartford and Blackheath
    • SCENE II. Saint Albans
    • SCENE III. Fields near Saint Albans
      • THE END
  • THE THIRD PART OF KING HENRY THE SIXTH
    • DRAMATIS PERSONAE
      • SCENE: England and France
    • SCENE II. Sandal Castle, near Wakefield, in Yorkshire
    • SCENE III. Field of battle between Sandal Castle and Wakefield
    • SCENE IV. Another part of the field
      • ACT II. SCENE I. A plain near Mortimer's Cross in Herefordshire
    • SCENE II. Before York
    • SCENE III. A field of battle between Towton and Saxton, in Yorkshire
    • SCENE IV. Another part of the field
    • SCENE V. Another part of the field
    • SCENE VI. Another part of the field
      • ACT III. SCENE I. A chase in the north of England
      • SCENE II. London. The palace
    • SCENE III. France. The KING'S palace
      • ACT IV. SCENE I. London. The palace
    • SCENE II. A plain in Warwickshire
      • SCENE III. Edward's camp, near Warwick
    • SCENE IV. London. The palace
    • SCENE V. A park near Middleham Castle in Yorkshire
    • SCENE VI. London. The Tower
    • SCENE VII. Before York
    • SCENE VIII. London. The palace
      • ACT V. SCENE I. Coventry
    • SCENE II. A field of battle near Barnet
    • SCENE III. Another part of the field
    • SCENE IV. Plains wear Tewksbury
    • SCENE V. Another part of the field
    • SCENE VI. London. The Tower
    • SCENE VII. London. The palace
      • THE END
  • KING HENRY THE EIGHTH
    • DRAMATIS PERSONAE
      • KING HENRY THE EIGHTH
      • ACT I. SCENE 1.
    • ACT I. SCENE 2.
    • ACT I. SCENE 3.
    • ACT I. SCENE 4.
      • ACT II. SCENE 1.
    • ACT II. SCENE 2.
    • ACT II. SCENE 3.
    • ACT II. SCENE 4.
      • ACT III. SCENE 1.
      • ACT III.SCENE 2.
      • ACT IV. SCENE 1.
    • ACT IV. SCENE 2.
      • ACT V. SCENE 1.
    • ACT V. SCENE 2.
    • ACT V. SCENE 3.
    • ACT V. SCENE 4.
    • ACT V. SCENE 5.
  • KING JOHN
    • DRAMATIS PERSONAE
      • SCENE: England and France
      • ACT I. SCENE 1
      • ACT II. SCENE 1
      • ACT III. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
      • ACT IV. SCENE 1.
    • SCENE 2.
    • SCENE 3.
      • ACT V. SCENE 1. England. KING JOHN'S palace
    • SCENE 2. England. The DAUPHIN'S camp at Saint Edmundsbury
    • SCENE 3.
    • SCENE 4.
    • SCENE 5.
    • SCENE 6.
    • SCENE 7.
  • THE TRAGEDY OF JULIUS CAESAR
    • Contents
      • Dramatis Personæ
      • SCENE: Rome, the conspirators’ camp near Sardis, and the plains of Philippi.
    • ACT I
      • SCENE I. Rome. A street.
      • SCENE II. The same. A public place.
      • SCENE III. The same. A street.
    • ACT II
      • SCENE I. Rome. Brutus’ orchard.
      • SCENE II. A room in Caesar’s palace.
      • SCENE III. A street near the Capitol.
      • SCENE IV. Another part of the same street, before the house of Brutus.
    • ACT III
      • SCENE I. Rome. Before the Capitol; the Senate sitting.
      • SCENE II. The same. The Forum.
      • SCENE III. The same. A street.
    • ACT IV
      • SCENE I. Rome. A room in Antony’s house.
      • SCENE II. Before Brutus’ tent, in the camp near Sardis.
      • SCENE III. Within the tent of Brutus.
    • ACT V
      • SCENE I. The plains of Philippi.
      • SCENE II. The same. The field of battle.
      • SCENE III. Another part of the field.
      • SCENE IV. Another part of the field.
      • SCENE V. Another part of the field.
  • THE TRAGEDY OF KING LEAR
    • Contents
      • Dramatis Personæ
      • SCENE: Britain.
    • ACT I
      • SCENE I. A Room of State in King Lear’s Palace.
      • SCENE II. A Hall in the Earl of Gloucester’s Castle.
      • SCENE III. A Room in the Duke of Albany’s Palace.
      • SCENE IV. A Hall in Albany’s Palace.
      • SCENE V. Court before the Duke of Albany’s Palace.
    • ACT II
      • SCENE I. A court within the Castle of the Earl of Gloucester.
      • SCENE II. Before Gloucester’s Castle.
      • SCENE III. The open Country.
      • SCENE IV. Before Gloucester’s Castle; Kent in the stocks.
    • ACT III
      • SCENE I. A Heath.
      • SCENE II. Another part of the heath.
      • SCENE III. A Room in Gloucester’s Castle.
      • SCENE IV. A part of the Heath with a Hovel.
      • SCENE V. A Room in Gloucester’s Castle.
      • SCENE VI. A Chamber in a Farmhouse adjoining the Castle.
      • SCENE VII. A Room in Gloucester’s Castle.
    • ACT IV
      • SCENE I. The heath.
      • SCENE II. Before the Duke of Albany’s Palace.
      • SCENE III. The French camp near Dover.
      • SCENE IV. The French camp. A Tent.
      • SCENE V. A Room in Gloucester’s Castle.
      • SCENE VI. The country near Dover.
      • SCENE VII. A Tent in the French Camp.
    • ACT V
      • SCENE I. The Camp of the British Forces near Dover.
      • SCENE II. A field between the two Camps.
      • SCENE III. The British Camp near Dover.
  • LOVE’S LABOUR’S LOST
    • SCENE: Navarre
      • ACT I. SCENE I. Navarre. The King's park
    • SCENE II. The park
      • ACT II. SCENE II. The park
      • ACT III. SCENE I. The park
      • ACT IV. SCENE I. The park
    • SCENE II. The park
    • SCENE III. The park
      • ACT V. SCENE I. The park
    • SCENE II. The park
      • WINTER
  • MACBETH
    • Contents
    • Dramatis Personæ
      • SCENE: In the end of the Fourth Act, in England; through the rest of the Play, in Scotland; and chiefly at Macbeth’s Castle.
    • ACT I
      • SCENE I. An open Place.
      • SCENE II. A Camp near Forres.
      • SCENE III. A heath.
      • SCENE IV. Forres. A Room in the Palace.
      • SCENE V. Inverness. A Room in Macbeth’s Castle.
      • SCENE VI. The same. Before the Castle.
      • SCENE VII. The same. A Lobby in the Castle.
    • ACT II
      • SCENE I. Inverness. Court within the Castle.
      • SCENE II. The same.
      • SCENE III. The same.
      • SCENE IV. The same. Without the Castle.
    • ACT III
      • SCENE I. Forres. A Room in the Palace.
      • SCENE II. The same. Another Room in the Palace.
      • SCENE III. The same. A Park or Lawn, with a gate leading to the Palace.
      • SCENE IV. The same. A Room of state in the Palace.
      • SCENE V. The heath.
      • SCENE VI. Forres. A Room in the Palace.
    • ACT IV
      • SCENE I. A dark Cave. In the middle, a Cauldron Boiling.
      • SCENE II. Fife. A Room in Macduff’s Castle.
      • SCENE III. England. Before the King’s Palace.
    • ACT V
      • SCENE I. Dunsinane. A Room in the Castle.
      • SCENE II. The Country near Dunsinane.
      • SCENE III. Dunsinane. A Room in the Castle.
      • SCENE IV. Country near Dunsinane: a Wood in view.
      • SCENE V. Dunsinane. Within the castle.
      • SCENE VI. The same. A Plain before the Castle.
      • SCENE VII. The same. Another part of the Plain.
      • SCENE VIII. The same. Another part of the field.
  • MEASURE FOR MEASURE
    • DRAMATIS PERSONAE
      • SCENE: Vienna
        • ACT I. SCENE I. The DUKE'S palace
    • SCENE II. A street
    • SCENE III. A monastery
    • SCENE IV. A nunnery
      • ACT II. Scene I. A hall in ANGELO'S house
    • SCENE II. Another room in ANGELO'S house
    • SCENE III. A prison
    • SCENE IV. ANGELO'S house
      • ACT III. SCENE I. The prison
    • Scene II. The street before the prison
    • ACT IV. Scene I. The moated grange at Saint Duke's
    • SCENE II. The prison
    • SCENE III. The prison
    • SCENE IV. ANGELO'S house
    • SCENE V. Fields without the town
    • SCENE VI. A street near the city gate
      • ACT V. SCENE I. The city gate
  • THE MERCHANT OF VENICE
    • Contents
    • Dramatis Personæ
      • SCENE: Partly at Venice, and partly at Belmont, the seat of Portia on the Continent
    • ACT I
      • SCENE I. Venice. A street.
      • SCENE II. Belmont. A room in Portia’s house.
      • SCENE III. Venice. A public place.
    • ACT II
      • SCENE I. Belmont. A room in Portia’s house.
      • SCENE II. Venice. A street.
      • SCENE III. The same. A room in Shylock’s house.
      • SCENE IV. The same. A street.
      • SCENE V. The same. Before Shylock’s house.
      • SCENE VI. The same.
      • SCENE VII. Belmont. A room in Portia’s house.
      • SCENE VIII. Venice. A street.
      • SCENE IX. Belmont. A room in Portia’s house.
    • ACT III
      • SCENE I. Venice. A street.
      • SCENE II. Belmont. A room in Portia’s house.
      • SCENE III. Venice. A street.
      • SCENE IV. Belmont. A room in Portia’s house.
      • SCENE V. The same. A garden.
    • ACT IV
      • SCENE I. Venice. A court of justice.
      • SCENE II. The same. A street.
    • ACT V
      • SCENE I. Belmont. The avenue to Portia’s house.
  • THE MERRY WIVES OF WINDSOR
    • SCENE: Windsor, and the neighbourhood
      • ACT I. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
      • ACT II. SCENE 1.
    • SCENE 2.
    • SCENE 3.
      • ACT III SCENE 1.
      • SCENE 2.
      • SCENE 3.
    • SCENE 4.
    • SCENE 5.
      • ACT IV. SCENE I.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4
    • SCENE 5.
    • SCENE 6.
      • ACT V. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
    • SCENE 5.
  • A MIDSUMMER NIGHT’S DREAM
    • Contents
    • Dramatis Personæ
      • SCENE: Athens, and a wood not far from it
    • ACT I
      • SCENE I. Athens. A room in the Palace of Theseus
      • SCENE II. The Same. A Room in a Cottage
    • ACT II
      • SCENE I. A wood near Athens
      • SCENE II. Another part of the wood
    • ACT III
      • SCENE I. The Wood.
      • SCENE II. Another part of the wood
    • ACT IV
      • SCENE I. The Wood
      • SCENE II. Athens. A Room in Quince’s House
    • ACT V
      • SCENE I. Athens. An Apartment in the Palace of Theseus
  • MUCH ADO ABOUT NOTHING
    • Contents
      • Dramatis Personæ
      • SCENE. Messina.
    • ACT I
      • SCENE I. Before Leonato’s House.
      • SCENE II. A room in Leonato’s house.
      • SCENE III. Another room in Leonato’s house.
    • ACT II
      • SCENE I. A hall in Leonato’s house.
      • SCENE II. Another room in Leonato’s house.
      • SCENE III. Leonato’s Garden.
    • ACT III
      • SCENE I. Leonato’s Garden.
      • SCENE II. A Room in Leonato’s House.
      • Scene III. A Street.
      • Scene IV. A Room in Leonato’s House.
      • Scene V. Another Room in Leonato’s House.
    • ACT IV
      • SCENE I. The Inside of a Church.
      • Scene II. A Prison.
    • ACT V
      • SCENE I. Before Leonato’s House.
      • SCENE II. Leonato’s Garden.
      • SCENE III. The Inside of a Church.
      • SCENE IV. A Room in Leonato’s House.
  • THE TRAGEDY OF OTHELLO, MOOR OF VENICE
    • SCENE: Venice and Cyprus
    • SCENE II. Another street.
    • SCENE III. A council chamber. The Duke and Senators sitting at a table; Officers attending.
      • ACT II. SCENE I. A seaport in Cyprus. An open place near the quay.
    • SCENE II. A street.
    • SCENE III. A hall in the castle.
      • ACT III. SCENE I. Before the castle.
    • SCENE II. A room in the castle.
    • SCENE III. The garden of the castle.
    • SCENE IV. Before the castle.
      • ACT IV. SCENE I. Cyprus. Before the castle.
    • SCENE II. A room in the castle.
    • SCENE III. Another room in the castle.
      • ACT V. SCENE I. Cyprus. A street.
    • SCENE II. A bedchamber in the castle. Desdemona in bed asleep; a light burning.
      • THE END
  • PERICLES, PRINCE OF TYRE
    • Contents
      • Dramatis Personæ
      • SCENE: Dispersedly in various countries.
    • ACT I
      • SCENE I. Antioch. A room in the palace.
      • SCENE II. Tyre. A room in the palace.
      • SCENE III. Tyre. An ante-chamber in the Palace.
      • SCENE IV. Tarsus. A room in the Governor’s house.
    • ACT II
      • SCENE I. Pentapolis. An open place by the seaside.
      • SCENE II. The same. A public way, or platform leading to the lists. A pavilion by the side of it for the reception of the King, Princess, Lords, etc.
      • SCENE III. The same. A hall of state: a banquet prepared.
      • SCENE IV. Tyre. A room in the Governor’s house.
      • SCENE V. Pentapolis. A room in the palace.
    • ACT III
      • SCENE I.
      • SCENE II. Ephesus. A room in Cerimon’s house.
      • SCENE III. Tarsus. A room in Cleon’s house.
      • SCENE IV. Ephesus. A room in Cerimon’s house.
    • ACT IV
      • Scene I. Tarsus. An open place near the seashore.
      • Scene II. Mytilene. A room in a brothel.
      • SCENE III. Tarsus. A room in Cleon’s house.
      • SCENE IV.
      • SCENE V. Mytilene. A street before the brothel.
      • SCENE VI. The same. A room in the brothel.
    • ACT V
      • SCENE I. On board Pericles’ ship, off Mytilene. A close pavilion on deck, with a curtain before it; Pericles within it, reclined on a couch. A barge lying beside the Tyrian vessel.
      • SCENE II.
      • SCENE III. The temple of Diana at Ephesus; Thaisa standing near the altar, as high priestess; a number of Virgins on each side; Cerimon and other inhabitants of Ephesus attending.
  • KING RICHARD THE SECOND
    • DRAMATIS PERSONAE
      • SCENE: England and Wales
        • ACT I. SCENE I. London. The palace
    • SCENE 2. London. The DUKE OF LANCASTER'S palace
    • SCENE 3. The lists at Coventry
    • SCENE 4. London. The court
      • ACT II. SCENE I. London. Ely House
    • SCENE 2. Windsor Castle
    • SCENE 3. Gloucestershire
    • SCENE 4. A camp in Wales
      • ACT III. SCENE I. BOLINGBROKE'S camp at Bristol
    • SCENE 2. The coast of Wales. A castle in view
    • SCENE 3. Wales. Before Flint Castle
    • SCENE 4. The DUKE OF YORK's garden
      • ACT IV. SCENE 1. Westminster Hall
      • ACT V. SCENE 1. London. A street leading to the Tower
    • SCENE 2. The DUKE OF YORK's palace
    • SCENE 3. Windsor Castle
    • SCENE 4. Windsor Castle
    • SCENE 5. Pomfret Castle. The dungeon of the Castle
    • SCENE 6. Windsor Castle
  • KING RICHARD THE THIRD
    • SCENE: England
      • ACT I. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
      • ACT II. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
      • ACT III. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4
    • SCENE 5.
    • SCENE 6.
    • SCENE 7.
      • ACT IV. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
    • SCENE 5.
      • ACT V. SCENE 1.
    • SCENE 2.
    • SCENE 3.
    • SCENE 4.
    • SCENE 5.
  • THE TRAGEDY OF ROMEO AND JULIET
    • Contents
      • Dramatis Personæ
      • SCENE. During the greater part of the Play in Verona; once, in the Fifth Act, at Mantua.
      • THE PROLOGUE
    • ACT I
      • SCENE I. A public place.
      • SCENE II. A Street.
      • SCENE III. Room in Capulet’s House.
      • SCENE IV. A Street.
      • SCENE V. A Hall in Capulet’s House.
    • ACT II
      • SCENE I. An open place adjoining Capulet’s Garden.
      • SCENE II. Capulet’s Garden.
      • SCENE III. Friar Lawrence’s Cell.
      • SCENE IV. A Street.
      • SCENE V. Capulet’s Garden.
      • SCENE VI. Friar Lawrence’s Cell.
    • ACT III
      • SCENE I. A public Place.
      • SCENE II. A Room in Capulet’s House.
      • SCENE III. Friar Lawrence’s cell.
      • SCENE IV. A Room in Capulet’s House.
      • SCENE V. An open Gallery to Juliet’s Chamber, overlooking the Garden.
    • ACT IV
      • SCENE I. Friar Lawrence’s Cell.
      • SCENE II. Hall in Capulet’s House.
      • SCENE III. Juliet’s Chamber.
      • SCENE IV. Hall in Capulet’s House.
      • SCENE V. Juliet’s Chamber; Juliet on the bed.
    • ACT V
      • SCENE I. Mantua. A Street.
      • SCENE II. Friar Lawrence’s Cell.
      • SCENE III. A churchyard; in it a Monument belonging to the Capulets.
  • THE TAMING OF THE SHREW
    • Contents
      • Dramatis Personæ
      • SCENE: Sometimes in Padua, and sometimes in PETRUCHIO’S house in the country.
    • INDUCTION
      • SCENE I. Before an alehouse on a heath.
      • SCENE II. A bedchamber in the LORD’S house.
    • ACT I
      • SCENE I. Padua. A public place.
      • SCENE II. Padua. Before HORTENSIO’S house.
    • ACT II
      • SCENE I. Padua. A room in BAPTISTA’S house.
    • ACT III
      • SCENE I. Padua. A room in BAPTISTA’S house.
      • SCENE II. The same. Before BAPTISTA’S house.
    • ACT IV
      • SCENE I. A hall in PETRUCHIO’S country house.
      • SCENE II. Padua. Before BAPTISTA’S house.
      • SCENE III. A room in PETRUCHIO’S house.
      • SCENE IV. Padua. Before BAPTISTA’S house.
      • SCENE V. A public road.
    • ACT V
      • SCENE I. Padua. Before LUCENTIO’S house.
      • SCENE II. A room in LUCENTIO’S house.
  • THE TEMPEST
    • DRAMATIS PERSONAE
      • SCENE: A ship at sea; afterwards an uninhabited island
      • THE TEMPEST ACT I. SCENE 1
    • SCENE 2
      • ACT II. SCENE 1
    • SCENE 2
      • ACT III. SCENE 1
    • SCENE 2
    • SCENE 3
      • ACT IV. SCENE 1
      • ACT V. SCENE 1
  • THE LIFE OF TIMON OF ATHENS
    • DRAMATIS PERSONAE
      • SCENE: Athens and the neighbouring woods
        • ACT I. SCENE I. Athens. TIMON'S house
    • SCENE II. A room of state in TIMON'S house
      • ACT II. SCENE I. A SENATOR'S house
    • SCENE II. Before TIMON'S house
      • ACT III. SCENE I. LUCULLUS' house
    • SCENE II. A public place
    • SCENE III. SEMPRONIUS' house
    • SCENE IV. A hall in TIMON'S house
    • SCENE V. The Senate House
    • SCENE VI. A banqueting hall in TIMON'S house
      • ACT IV. SCENE I. Without the walls of Athens
    • SCENE II. Athens. TIMON's house
    • SCENE III. The woods near the sea-shore. Before TIMON'S cave
      • ACT V. SCENE I. The woods. Before TIMON's cave
    • SCENE II. Before the walls of Athens
    • SCENE III. The TIMON's cave, and a rude tomb seen
    • SCENE IV. Before the walls of Athens
  • THE TRAGEDY OF TITUS ANDRONICUS
    • SCENE: Rome and the neighbourhood
      • ACT 1. SCENE I. Rome. Before the Capitol
      • ACT II. SCENE I. Rome. Before the palace
    • SCENE II. A forest near Rome
    • SCENE III. A lonely part of the forest
    • SCENE IV. Another part of the forest
      • ACT III. SCENE I. Rome. A street
    • SCENE II. Rome. TITUS' house
      • ACT IV. SCENE I. Rome. TITUS' garden
    • SCENE II. Rome. The palace
    • SCENE III. Rome. A public place
    • SCENE IV. Rome. Before the palace
      • ACT V. SCENE I. Plains near Rome
    • SCENE II. Rome. Before TITUS' house
    • SCENE III. The court of TITUS' house
  • THE HISTORY OF TROILUS AND CRESSIDA
    • Contents
      • Dramatis Personæ
      • SCENE: Troy and the Greek camp before it
      • PROLOGUE
    • ACT I
      • SCENE I. Troy. Before PRIAM’S palace.
      • SCENE II. Troy. A street.
      • SCENE III. The Grecian camp. Before AGAMEMNON’S tent.
    • ACT II
      • SCENE I. The Grecian camp.
      • SCENE II. Troy. PRIAM’S palace.
      • SCENE III. The Grecian camp. Before the tent of ACHILLES.
    • ACT III
      • SCENE I. Troy. PRIAM’S palace.
      • SCENE II. Troy. PANDARUS’ orchard.
      • SCENE III. The Greek camp.
    • ACT IV
      • SCENE I. Troy. A street.
      • SCENE II. Troy. The court of PANDARUS’ house.
      • SCENE III. Troy. A street before PANDARUS’ house.
      • SCENE IV. Troy. PANDARUS’ house.
      • SCENE V. The Grecian camp. Lists set out.
    • ACT V
      • SCENE I. The Grecian camp. Before the tent of ACHILLES.
      • SCENE II. The Grecian camp. Before CALCHAS’ tent.
      • SCENE III. Troy. Before PRIAM’S palace.
      • SCENE IV. The plain between Troy and the Grecian camp.
      • SCENE V. Another part of the plain.
      • SCENE VI. Another part of the plain.
      • SCENE VII. Another part of the plain.
      • SCENE VIII. Another part of the plain.
      • SCENE IX. Another part of the plain.
      • SCENE X. Another part of the plain.
  • TWELFTH NIGHT: OR, WHAT YOU WILL
    • Contents
    • Dramatis Personæ
      • SCENE: A City in Illyria; and the Sea-coast near it.
    • ACT I.
      • SCENE I. An Apartment in the Duke’s Palace.
      • SCENE II. The sea-coast.
      • SCENE III. A Room in Olivia’s House.
      • SCENE IV. A Room in the Duke’s Palace.
      • SCENE V. A Room in Olivia’s House.
    • ACT II.
      • SCENE I. The sea-coast.
      • SCENE II. A street.
      • SCENE III. A Room in Olivia’s House.
      • SCENE IV. A Room in the Duke’s Palace.
      • SCENE V. Olivia’s garden.
    • ACT III.
      • SCENE I. Olivia’s garden.
      • SCENE II. A Room in Olivia’s House.
      • SCENE III. A street.
      • SCENE IV. Olivia’s garden.
    • ACT IV.
      • SCENE I. The Street before Olivia’s House.
      • SCENE II. A Room in Olivia’s House.
      • SCENE III. Olivia’s Garden.
    • ACT V.
      • SCENE I. The Street before Olivia’s House.
  • THE TWO GENTLEMEN OF VERONA
    • DRAMATIS PERSONAE
      • SCENE: Verona; Milan; the frontiers of Mantua
        • ACT I. SCENE I. Verona. An open place
    • SCENE II. Verona. The garden Of JULIA'S house
    • SCENE III. Verona. ANTONIO'S house
      • ACT II. SCENE I. Milan. The DUKE'S palace
    • SCENE II. Verona. JULIA'S house
    • SCENE III. Verona. A street
    • SCENE IV. Milan. The DUKE'S palace
    • SCENE V. Milan. A street
    • SCENE VI. Milan. The DUKE's palace
    • SCENE VII. Verona. JULIA'S house
      • ACT III. SCENE I. Milan. The DUKE'S palace
    • SCENE II. Milan. The DUKE'S palace
      • ACT IV. SCENE I. The frontiers of Mantua. A forest
    • SCENE II. Milan. Outside the DUKE'S palace, under SILVIA'S window
    • SCENE III. Under SILVIA'S window
    • SCENE IV. Under SILVIA'S Window
      • ACT V. SCENE I. Milan. An abbey
    • SCENE II. Milan. The DUKE'S palace
    • SCENE III. The frontiers of Mantua. The forest
    • SCENE IV. Another part of the forest
  • THE TWO NOBLE KINSMEN:
    • PROLOGUE.
      • ACT I
        • SCENE 1. (Athens. Before a temple.)
        • SCENE 2. (Thebs).
        • SCENE 3. (Before the gates of Athens.)
        • SCENE 4. (A field before Thebes. Dead bodies lying on the ground.)
        • SCENE 5. (Another part of the same.)
      • ACT II
        • SCENE 1. (Athens. A garden, with a prison in the background.)
        • SCENE 2. (The prison)
        • SCENE 3. (The country near Athens.
        • SCENE 4. (Athens. A room in the prison.)
        • SCENE 5. (An open place in Athens.)
        • SCENE 6. (Before the prison.)
      • ACT III
        • SCENE 1. (A forest near Athens.)
        • SCENE 2. (Another Part of the forest.)
        • SCENE 3. (Same as Scene I.)
        • SCENE 4. (Another part of the forest.)
        • SCENE 5. (Another part of the forest.)
        • SCENE 6. (Same as Scene III.)
      • ACT IV
        • SCENE 1. (Athens. A room in the prison.)
        • SCENE 2. (A Room in the Palace.)
        • SCENE 3. (A room in the prison.)
      • ACT V
        • SCENE 1. (Before the Temples of Mars, Venus, and Diana.)
        • SCENE 2. (A darkened Room in the Prison.)
        • SCENE 3. (A Place near the Lists.)
        • SCENE 4. (The same; a Block prepared.)
    • EPILOGUE
  • THE WINTER’S TALE
    • ACT I. SCENE I. Sicilia. The palace of LEONTES
    • SCENE II. Sicilia. The palace of LEONTES
      • ACT II. SCENE I. Sicilia. The palace of LEONTES
    • SCENE II. Sicilia. A prison
    • SCENE III. Sicilia. The palace of LEONTES
      • ACT III. SCENE I. Sicilia. On the road to the Capital
    • SCENE II. Sicilia. A court of justice
    • SCENE III. Bohemia. The sea-coast
      • ACT IV. SCENE I.
    • SCENE II. Bohemia. The palace of POLIXENES
    • SCENE III. Bohemia. A road near the SHEPHERD'S cottage
    • SCENE IV. Bohemia. The SHEPHERD'S cottage
      • ACT V. SCENE I. Sicilia. The palace of LEONTES
    • SCENE II. Sicilia. Before the palace of LEONTES
    • SCENE III. Sicilia. A chapel in PAULINA's house
  • A LOVER’S COMPLAINT
  • THE PASSIONATE PILGRIM
  • THE PHOENIX AND THE TURTLE
  • THE RAPE OF LUCRECE
    • THE RAPE OF LUCRECE
      • TO THE
    • THE ARGUMENT.
  • VENUS AND ADONIS
    • TO THE RIGHT HONOURABLE HENRY WRIOTHESLEY, EARL OF SOUTHAMPTON, and Baron of Titchfield.
  • VENUS AND ADONIS

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